Look at her, strawberry
blonde eyeing a distance measured
in the shapes emptiness takes
between now and here.
The hung-low lip of a cloud
mutters a prayer for rain &
her wet shirt will bear it,
delicate as they are, as she
knows i am.
Got a light?
i'll linger a little.
these are the vibrations and emissions of a man who can't be so self-serving, trite, and stagnant with his poetry anymore.
Wednesday, April 17, 2013
Journal 3: Bruce Bond - "Diet of Angels" Improv
Caught in the endless turn
of triages, a climate of steel
reminding me of hot rum, the medication
that flowed from thought to thought
to pain from thought. The nurses,
lulling me into a thread of beds like
good spiders do, do not know
the shape i'm in, the wreath i am
the twisted sum of thorazine.
of triages, a climate of steel
reminding me of hot rum, the medication
that flowed from thought to thought
to pain from thought. The nurses,
lulling me into a thread of beds like
good spiders do, do not know
the shape i'm in, the wreath i am
the twisted sum of thorazine.
Journal 3: Corey Marks - "Little Bird" Improv
Kat flips on the breathing machine,
struggles to know peace. Trembling comes
to her in this nightly ritual, this thing
the doctor ordered her. Smoking, she's more
still, calm; the things we call ourselves at
our best when we're not the ones dying,
collapsing into what lungs were before
they were lungs.
Happiness is a hummingbird, tricked to the
nectar in a plastic flower by the porch door. In the end
all that moves is the creak of the puzzle table,
the whip of a straightened Sunday paper, and a disapproving
cough returns my grandmother to me.
struggles to know peace. Trembling comes
to her in this nightly ritual, this thing
the doctor ordered her. Smoking, she's more
still, calm; the things we call ourselves at
our best when we're not the ones dying,
collapsing into what lungs were before
they were lungs.
Happiness is a hummingbird, tricked to the
nectar in a plastic flower by the porch door. In the end
all that moves is the creak of the puzzle table,
the whip of a straightened Sunday paper, and a disapproving
cough returns my grandmother to me.
Journal 3: Corey Marks - "The Empty Theater" Improv
Karen doesn't know how to drink wine.
Frailty, to her, is a disposition a dis-ease, not
the intended nuance of holding a glass stem.
No, wine isn't poured in her mouth it's
guzzled, sucked; flung back like a brick
she holds a bottle of Yellowtail like
she holds a dick she strangles it.
Frailty, to her, is a disposition a dis-ease, not
the intended nuance of holding a glass stem.
No, wine isn't poured in her mouth it's
guzzled, sucked; flung back like a brick
she holds a bottle of Yellowtail like
she holds a dick she strangles it.
Journal 3: Corey Marks - "Loss" Improv
Sex comes like train horns
and a knotful throat. Fuck, I
think: my old god is watching, videotaping
every insurrection I've had and
quickly forgotten. Sex today is like larping,
some stupid toy for this generation's
too-clean hands--their dainty infant claws
open, yes, but flat like the story
behind their stories. Poetry today? A shuddering
tryhard chaos of aesthetics, reminders
of my illiteracy. Sex, then, I guess, is lost on
hipsters, those empty venti cups like
fuckless orgies.
and a knotful throat. Fuck, I
think: my old god is watching, videotaping
every insurrection I've had and
quickly forgotten. Sex today is like larping,
some stupid toy for this generation's
too-clean hands--their dainty infant claws
open, yes, but flat like the story
behind their stories. Poetry today? A shuddering
tryhard chaos of aesthetics, reminders
of my illiteracy. Sex, then, I guess, is lost on
hipsters, those empty venti cups like
fuckless orgies.
Wednesday, March 13, 2013
Improv - Heather McHugh, "Language Lesson 1976"
oh,
see
Dee?
she
loves
me
death dying destruction dis
ease
me
to
sleepin in
raw power
no place left
too hid
den of lions
i speak
in tongues
licking palettes
in smokestack mouths
see
Dee?
she
loves
me
death dying destruction dis
ease
me
to
sleepin in
raw power
no place left
too hid
den of lions
i speak
in tongues
licking palettes
in smokestack mouths
Improv - Aimee Nezhukumatathil, "Canticle with Sea Worm"
i can't hear the hymn so well
a hastening of death clots it
like the minced bone bits,
sleeping on the ocean.
mom, what's happened?
you've taken to resting
a wiggling babe on your chest
did i too struggle for the slow crawl
of freedom? or was i just the
bare rawness of asthma & infection.
I'm still smoking,
your boy touched by an angel
and tapped on the spine by a needle
bigger than me
bigger than god.
a hastening of death clots it
like the minced bone bits,
sleeping on the ocean.
mom, what's happened?
you've taken to resting
a wiggling babe on your chest
did i too struggle for the slow crawl
of freedom? or was i just the
bare rawness of asthma & infection.
I'm still smoking,
your boy touched by an angel
and tapped on the spine by a needle
bigger than me
bigger than god.
Improv - Brigit Pegeen Kelly, "The Dragon"
my mother grows tomatoes that dangle
from a garden, floating
thanks to you, Judy from the house
painted green like sick she don't like.
crops grown tall, like her children,
though we weren't raised 'round
the constant siren of fire engines
and a crackhead who tries to
rip his own arms off.
from a garden, floating
thanks to you, Judy from the house
painted green like sick she don't like.
crops grown tall, like her children,
though we weren't raised 'round
the constant siren of fire engines
and a crackhead who tries to
rip his own arms off.
Improv - Camille T. Dungy, "The Preachers Eat Out"
on the ragged road
a squat and tattered man,
hunched and twisted from
too many years of
nothing
scrabbled up to me on the street
palm clenched wet with metal coins
flashes his raw teeth, saying
god is dead,
god is dead.
on the corner, a sister of mine
and yours
was bent over one night and
never
got up again.
Improv- Ilya Kaminsky, "We Lived Happily During the War"
one bone crushes down
a metal wing's insecure whine--
missiles are picket signs, too.
in the light of a sun god, the children
of Muhammed toss their shoes and sharpen their brows,
while Great Satan picks the bones of the dead
to rise again in folly and farce.
a metal wing's insecure whine--
missiles are picket signs, too.
in the light of a sun god, the children
of Muhammed toss their shoes and sharpen their brows,
while Great Satan picks the bones of the dead
to rise again in folly and farce.
Improv - Natasha Trethewey, "Blond"
earlier today,
i’m bold ‘nuff to say
a black woman asked
if…
my eyes were
real
well this is genuine blue,
miss sugarboo
don’t look too close now
you might try n’…
i’m bold ‘nuff to say
a black woman asked
if…
my eyes were
real
well this is genuine blue,
miss sugarboo
don’t look too close now
you might try n’…
cop a
feel
oh me, oh my
these eyes won’t lie
if you sidle up,
and…
try to
steal
a piece of this pie
darlin’, don’t try
to melt my knees
“Oh please?”
this fella ain’t free.
feel
oh me, oh my
these eyes won’t lie
if you sidle up,
and…
try to
steal
a piece of this pie
darlin’, don’t try
to melt my knees
“Oh please?”
this fella ain’t free.
Improv - Rodney Jones, "A Defense of Poetry"
i could write my drinking buddies our ars poetica
but it'd be about a Scottish broad's backside and
some fancy ditty-name for ackerdimmicks to use
eventually.
if poetry is the confined, the fairy-in-a-bottle moments
of Shakespeare then i'd say all are punished
made to toil in the muck by a god content
with defeat.
my poems are
vaudeville in a shrink's couch,
a white coat syndrome trembling
around the dotted line.
here here here here
comes the truth:
the works of these hands;
the silk that swelled to clouds?
just thatched-mud dresses
in your bright, wide eyes.
but it'd be about a Scottish broad's backside and
some fancy ditty-name for ackerdimmicks to use
eventually.
if poetry is the confined, the fairy-in-a-bottle moments
of Shakespeare then i'd say all are punished
made to toil in the muck by a god content
with defeat.
my poems are
vaudeville in a shrink's couch,
a white coat syndrome trembling
around the dotted line.
here here here here
comes the truth:
the works of these hands;
the silk that swelled to clouds?
just thatched-mud dresses
in your bright, wide eyes.
Improv - W.S. Merwin, "River of Bees"
rustling cicadan
that which crawls between rifts
floating stones and heavy smoke
eyes of silver like cloud
which sat headsunk
no more skin felt.
the coughing river which whispered
rattling ghosts, choking moths
thin air and thin soul;
expansion
expansion
expansion
contraction
the galactic engine mutters a mumble—
hold its tongue.
Improv - Li-Young Lee, "Eating Alone"
i have picked beans
from the chest of the earth--
i am not grateful.
in the silence of winter
i comprehend only visions of
waning summer with its brown mountains,
rolling down to the valley barrels of
oak, ash, & yew full of
honey and beer.
today, there's only milk
which is the tricky warm feel
of marrow in the cold vast of everything dying
and i hallucinate a fiery wheat field
and some girl rolling down in barrels of
oak & ash & yew.
from the chest of the earth--
i am not grateful.
in the silence of winter
i comprehend only visions of
waning summer with its brown mountains,
rolling down to the valley barrels of
oak, ash, & yew full of
honey and beer.
today, there's only milk
which is the tricky warm feel
of marrow in the cold vast of everything dying
and i hallucinate a fiery wheat field
and some girl rolling down in barrels of
oak & ash & yew.
Improv - Philip Larkin, "High Windows"
Just as the cold dawn birthed
the obscene disk; naked Sun,
stretching over another hurdle of trees
melted a little more of my friend's face,
offending more of me than i'd
like to write about
last night, the room held up
by pillars i slept under squeaked
a few mousy reminders that i was
to be crushed, little by little,
beneath their solemn fucking.
the next morning in the car
with my friend, the music we played
between tightly shut windows
lessened the hurt a bit, having god
get naked instead of me.
Tuesday, March 12, 2013
Improv - Stephen Graham Jones, "Green Pants"
I once was a loyal dog in a big kitchen with tall stoves and shorter women at the ground level of a tower where dying fathers wanted the door shut to nurses who shuffled quickly between bedside charlatan shows to our hole in the ground to eat applewood salmon and fresh greens boxed in trucks dragged by dogs more thirsty than I was shoulda coulda or woulda ever been.
Alone one night I was in charge of a pan of rice and boiled my wrist on pure steam it curled my skin and shot my nerves and the green-skinned doctor in the bright room of aliens dying cheated our system and asked, "Would you like some vicodin?"
Improv - Yusef Komunyakaa, "My Father's Love Letters"
Uncle Ricky,
the worldly one who tinkered with machines
and let the Air Force mold his throat
to concrete from stuttering mud
sent postcards and phonecalls from
Colorado, where the nerd roams
Act II, where the story twists--
he wasn't at tech conferences
or guitar-themed bonfires, he was
straight-laced to a fault:
His fault was loving men.
At nine, he was already
accepting his mother's dress
for his own; her heels
his feet, her paint
his war. The dust's long
settled now, Paw-Paw was lowered under
and can't stop Liza's fake tits
with the Cross Maw-Maw now carries.
as for me I haven't gotten a call
no matter 'cause I love 'em all.
Improv - Anthony Hecht, "The End of the Weekend"
A fireless pot of dug earth
cradles a lake freely popping crystals
as though it were boiling, much
like the hot gut-stab of
fearing children.
A clock was ticking, somewhere
in the box of worlds behind the
wooden swing's creak which
she and I
conceived. Life begins at conception
where we fused together our young
fear of her popping out
crystals with my name on them.
Improv - Seamus Heaney, "Digging"
All along the watchtower
my father paces, walking in
an undead fashion through
the tiny world of Lamar Hutchinson.
He once rode a shaky chariot
on a peeled leather throne--
his proclamations filtered through
a shot-up transmission.
I don't remember--
did he yell or gesture me into
the cab of that fat-assed truck
when i learned how to redneck
through traffic? Regardless, we're
older now; strong in words but
not bodies--we both know how
to drive, but we'd rather not know
where we're going.
Thursday, February 21, 2013
Improv - "27,000 Miles", Albert Goldbarth
he wrote disgruntled lectures on
“the anatomy of wings”
and forgot he still so loved
the idea of drawing up
maps of clouds.
“the anatomy of wings”
and forgot he still so loved
the idea of drawing up
maps of clouds.
but heaven-sky moves
and wings flap away
so he put women on pedestals
and studies bird architecture.
and wings flap away
so he put women on pedestals
and studies bird architecture.
Thursday, February 14, 2013
Improv - Allen Ginsberg, "America"
the american frontier manifested
destiny's immortal mission--
empty blue plastic toys
hastily forged in dim rooms
the spines of curved children
flogged down to the blood
in the land of red dragons;
our foreign modern vestiges
of the first world we call third.
destiny's immortal mission--
empty blue plastic toys
hastily forged in dim rooms
the spines of curved children
flogged down to the blood
in the land of red dragons;
our foreign modern vestiges
of the first world we call third.
Wednesday, February 13, 2013
Improv - B. H. Fairchild, "Madonna and Child, Perryton, Texas, 1967"
Vergil guides truckers up the shaggy spines
in hidden mountain roads strewn in willows,
up to the rest station where it hurts to eat
and burns to piss
there is disease waiting in toilet seats
beer-bloats packed in sardine can booths
peeling and stained by brown gravy beards
smelling of whore.
jesus is cheap here
white, too, somehow,
his cross is born on a wall above
a fattened calf of a child
ready to meat,
Jesus...
the cross creaks a belated response:
mala suerte, bestias.
mala suerte.
it is ignored.
Sunday, February 10, 2013
Improv - James Tate, "Goodtime Jesus"
forgive me,
he called me moses
because of my hair
he always asked for a smoke
he still doesn't know my name.
he called me moses
because of my hair
he always asked for a smoke
he still doesn't know my name.
Saturday, February 2, 2013
Improv - Lynn Emanuel, "Frying Trout While Drunk"
when beer sours me i remember all
blackouts and empty spaces
i have never had one, if indeed
those who say them they have had
can say they have had them
i picked off bits sticking glass
to the platinum
to the premium bavaricum,
you have my giggles
goldschlager,
the "whole-hearted" one poured me
you have my throat to pay for
and ah... him...
the inverted wall watcher,
he screwdrove me too much.
blackouts and empty spaces
i have never had one, if indeed
those who say them they have had
can say they have had them
i picked off bits sticking glass
to the platinum
to the premium bavaricum,
you have my giggles
goldschlager,
the "whole-hearted" one poured me
you have my throat to pay for
and ah... him...
the inverted wall watcher,
he screwdrove me too much.
Improv - Billy Collins, "Japan"
the student paints the light gate
the sea soaks into the red tower
the cherry blossoms scatter them
the evening prayer temple bell chimes
a reminder of Deeper Self
the sea soaks into the red tower
the cherry blossoms scatter them
the evening prayer temple bell chimes
a reminder of Deeper Self
the bowl resounds:
koan-torii-shoshin
of steel,
of sun,
of mask--
it'd all be nice
if men weren't dyin' like dogs.
Thursday, January 31, 2013
Wednesday, January 30, 2013
food [in progress]
in the house of greed
i put "homestyle beef skillet" on
the highest shelf
night after night, tearing into that bag,
gutting the plastic for all its worth:
carrots in thin shavings
small cylinders called green beans
fat squares of icy meat
brown pucks of frozen flavor--
in seven or so minutes
we can both stuff our mouths
with cheap forkfuls of easy comfort;
contentment, ready-made.
i put "homestyle beef skillet" on
the highest shelf
night after night, tearing into that bag,
gutting the plastic for all its worth:
carrots in thin shavings
small cylinders called green beans
fat squares of icy meat
brown pucks of frozen flavor--
in seven or so minutes
we can both stuff our mouths
with cheap forkfuls of easy comfort;
contentment, ready-made.
Tuesday, January 29, 2013
place (in-class)
smoking in bed,
i used to watch the cars come
down the black silhouette
of Clairmont bridge--
the arched spine
of the small town dumped
the cars into the arteries
of Chamblee as i watched,
in high house
with low eyes meeting
their stupidly silent
two-eyed faces.
i used to watch the cars come
down the black silhouette
of Clairmont bridge--
the arched spine
of the small town dumped
the cars into the arteries
of Chamblee as i watched,
in high house
with low eyes meeting
their stupidly silent
two-eyed faces.
hodgepodge 1 (in-class piecing together)
i do no vomit
though i understand the noise
beneath the seal
of divine power—
the mind
the city
there is clay
planted by red-dust hands
which you are.
though i understand the noise
beneath the seal
of divine power—
the mind
the city
there is clay
planted by red-dust hands
which you are.
hodgepodge 2 (in-class piecing together)
men formed in christ’s likeness
though girls are kept as beasts
in bloomer nether garments
like rude effigies of blood orange-hued
glass—
the final answer to Pascal is…
signed, R. rattus
though girls are kept as beasts
in bloomer nether garments
like rude effigies of blood orange-hued
glass—
the final answer to Pascal is…
signed, R. rattus
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